I make images that don’t just show something—they start something.
My work blends instinctive shooting with layered, posthuman editing.
Photography is where it begins. Meaning emerges in the edit.
This is how I see
This is how I see: not through the lens alone, but through everything that follows. I shoot fast, and then I return—again and again—through edits, dialogue, and reflection. The photo isn’t the whole story. It’s the first gesture in a larger system. Meaning doesn’t live in the moment. It emerges from what I keep, what I shift, what I ask the image to become.
I shoot fast and move with the moment. What you see here is the raw pull of attention—unfiltered, reflexive, sometimes a little off. But that’s the point. This is the part where instinct leads and structure hasn’t caught up yet.
Editing is where I start to make sense of it. Every shift—brightness, tone, a crop—isn’t fixing the photo, it’s deciding what matters. This is where I take what was caught and shape what it becomes.